Tutte le mani del Maffia

Tutte le mani del Maffia

– Collettivo Maffia


TUTTE LE MANI DEL MAFFIA** :: Publisher: Rizosfera, NUKFM series :: Catalogue number: NUKFM027 :: Full-colour book, 300 pages :: Trim size: 23×30 cm (9.05″×11.81″) :: 450 original photographs scanned from film negatives :: 1,000 graphic works including flyers, posters and banners :: Cover: Sirio Black cardstock with intaglio printing and screen-printed spot colours :: Binding: Swiss brochure (lay-flat binding, 180° opening) :: ISBN 979-12-985502-6-1 ::

 

** The DJ sets uploaded on the Rizostream platform under the names ‘Live at Maffia – Tutte le mani del Maffia DJ Set 1-10‘ and ‘Live at Maffia -Tutte le mani del Maffia DJ Set 11-20‘ are exclusively linked to the rewards of the crowdfunding campaign that ended on 23/12/25. Therefore, those who purchase the book on the Rizosfera website from 25 March 2026 onwards will not have access to the said DJ sets, but will be able to stream, free of charge / open access, the five Maffia compilations entitled ‘Illicit Sounds of Maffia Chapter 1-2-3-4-5‘, available on the Rizostream platform at the following address: https://rizo.stream/. Additionally, four other albums from the label Kom Fut Manifesto, the Maffia’s record production hub, are already available, also free of charge / open access, on the Rizostream platform. They are Groove Safari (with thanks to Fabrizio Tavernelli for his kind permission), 2Blue’s ‘Fattore Sonoro’ and ‘Light Transmission’ (with thanks to Luca Roccatagliati and Enrico Marani for their kind permissions) and A.N.D. ‘Fashion Victims’ (with thanks to NicoNote, Andrea Felli, and DJ David Love Calò for their kind permission).

**

Thirty years have passed since the birth of the Maffia Illicit Music Club (1995-2009), and such a milestone called for something special: the publication of a remarkable book assembled by the Collettivo Maffia—a diverse group bringing together founders, DJs, graphic designers, theorists, artistic directors, and the creative and organizational forces behind the club as it once was.
The Maffia Illicit Music Club was truly one of a kind, not just in the world of clubbing and DIY culture, but across the artistic, musical, and theoretical-critical landscape. The book captures not just the extraordinary range of what the club generated—across music, art, aesthetics, performance, literature, and theory—but also offers a window onto a particularly fertile moment at the end of the millennium. It was a time when an international artistic-existential scene, still in the wake of the rave explosion, was witnessing a technological revolution that was reshaping everything, from daily life to art and politics.

In this light, Tutte le mani del Maffia does something genuinely original: it traces the outlines of a self-organized creative community, one that forged its own language and skillfully sidestepped the clichés of clubs, discos, and community spaces alike. Like the two-faced god Janus, it was at once popular and radically experimental. The Maffia Illicit Music Club was, in short, a unique phenomenon: part creative hub, part heterodox cultural machine. The book tells its story brilliantly, weaving together thematic and chronological threads with just the right amount of creative chaos—striking a balance between nostalgia and the spirit of club culture.

Over the years, the Maffia Illicit Music Club has hosted, among others: Goldie, Kemistry & Storm, Fabio, Grooverider, LTJ Bukem, 4 Hero, Lemon D, Dillinja, Aphrodite, General Levy, DJ Hype, Zinc, Roni Size, DJ Krust, DJ Die, DJ Suv, Breakbeat Era, I-Kamanchi, London Elektricity, DJ Marky, Patife, Ed Rush, Optical, J Majik, Doc Scott, Shy FX, Kenny Ken, Hidden Agenda, Fatboy Slim, Propellerheads, Matt Cantor, Photek, Peshay, Amon Tobin, Andy C, DJ Rap, One True Parker, Storm, Howie B, James Lavelle, DJ Food, Coldcut, Funky Porcini, Herbaliser, Red Snapper, Daddy Longlegs, Naked Funk, Spacer, Keiron B, Optimo, Ian Simmonds, Bushflange, Headrillaz, Lamb, Tony Thorpe, Dave Watts, Aki Nawwaz, Transglobal Underground, Nitin Sawhney, Young Gods, Laibach, Test Department, Foetus, Andrew Weatherall, Dave Tipper, Radioactive Man, Royksopp, Santos, Massive Attack Soundsystem, Morcheeba, Talvin Singh, State of Bengal.


From the back cover

Forget nostalgia: it’s a heavy drug that kills tomorrow. This is open-heart surgery on the frequency of the possible. Maffia Illicit Music Club wasn’t a place—it was a signal deviation, a Situationist laboratory where the science of the breakbeat met pataphysics. In these sumptuous pages, with over 450 photos, 1,000 graphics, dozens of articles and testimonies, a route is traced. Tutte le mani del Maffia dissects those seasons of creative urgency, bridging the 1990s and the 2000s: fingers scratching vinyl, hands drawing revolutions, hearts beating at 130 bpm. An epidemic of visions between the fog of the plains and the heart of darkness of the metropolis. The future is kicking. It’s time to restart the machine. Be ready to break the rules of ordered perception.


Press release

Collettivo Maffia presents

TUTTE LE MANI DEL MAFFIA (The Many Hands of Maffia Illicit Music Club)

Maffia is the perfect picture of an extraordinary historical moment, defined by an explosion of musical creativity and a generation fortunate enough to witness the convergence of musical worlds that had, until then, been immeasurably distant.

— THE BOOK
Tutte le mani del Maffia is a document that chronicles the history, the nights, the DJ sets, the graphics, and the lifestyle of an era bridging the 1990s and the 2000s. A central role is given to graphic and photographic documentation, capturing the indelible moments of an unparalleled journey. This is the story of a community of people who left a deep imprint on both the collective memory and the cultural landscape.

— THE CROWDFUNDING
The crowdfunding campaign, launched in the fall of 2025 on the Produzioni dal Basso platform, was an incredible success. More than 250 supporters participated, choosing from various rewards alongside the book, including t-shirts, DJ sets, and Polaroids.

— MORE THAN NOSTALGIA
Far from being a nostalgic operation, this project is a manual for anyone navigating club culture today—a key to understanding the present through the past. With its bold approach, it aims to inspire new generations to rebuild communities that truly inhabit spaces, channeling urgent creative visions. More than a book, it’s a manifesto: reclaiming the dancefloor as an act of resistance against the relentless advance of the digital world.

— STORIES FROM THE FLOOR
Maffia Illicit Music Club attracted clubbers from all over Italy, fueled by radio broadcasts (RadioDue aired every Saturday night live during the 1997-98 season). In November 2000, it made history as the venue for Fatboy Slim’s Italian debut, booked by its in-house agency, Institute of Dubbology.

The handprint of Maffia is seared onto the hearts of all who lived through those incredible years.
The atmosphere was unique: you could feel the urge to meet, to connect, to know new people.
An accelerator of matter
.


Upcoming presentations

Book presentation with pick-up of copies reserved through crowdfunding.
The evenings will feature talks with guests + DJ sets.
The dates are currently:

  • 11/04/2026 @ Chiostri di San Pietro (Reggio Emilia)
  • 24/04/2026 @ Colonne 28 (Parma)

As soon as we have further dates, we will add them here, or on the Rizosfera website.


Authors

MAFFIA COLLETTIVO is composed by Federico A. Amico, Paolo Davoli, Gabriele Fantuzzi, Luca Roccatagliati, and Letizia Rustichelli. It has been operating informally since the 2020s, later debuting in 2025 as the curatorial collective behind the book Tutte le mani del Maffia (Rizosfera, NUKFM027, 2026). The members of Collettivo Maffia identify with the artistic, associative, political, and existential experience of the Maffia Illicit Music Club, a renowned club founded in Reggio Emilia in 1995, which subsequently closed in 2009. In various capacities (including founders, organizers, artistic and creative directors, musicians, and theorists), the members of Collettivo Maffia are involved in the management and organization of the historical archive of the Maffia Illicit Music Club for the benefit of the local and international community through the Maffia Illicit Music Club Foundation.

— MEMBERS

FEDERICO A. AMICO studied Philosophy in Bologna. A writer and essayist in the world of comics — his recent work includes the reprint of Raymond Capp for Cosmo Editore, with drawings by Marco Nizzoli — he was president of the Maffia Illicit Music Club from 1998 to 2005. Parallel to his cultural activities, he has gained extensive experience in associations: he was president of Arci Reggio Emilia (2005-2013) and subsequently of Arci Emilia-Romagna (2014-2020). Spokesperson for the Forum Terzo Settore E.R. between 2016 and 2019, he held the position of Regional Councilor and President of the Commission for Equality and People’s Rights during the 2020-2024 term. He is currently President of Acer Reggio Emilia, the agency that manages public residential housing.

PAOLO DAVOLI, an independent researcher, co-edited with Gabriele Fantuzzi the trilogy of books Clubspotting (Happy Books 2000, 2002, 2005), with philosopher Stefano Oliva the 10th issue of the journal La Deleuziana: Chaos, Rhythm, and Non-Pulsed Man (La Deleuziana, 2019/Rizosfera, 2020), and with Gabriele Fantuzzi Naked Punk (Rizosfera, 2024). He founded, with others, the collectives Kom-Fut Manifesto (1989), Rizosfera (2016), Obsolete Capitalism (2013), the clubs Red’Ko (1993-1994) and Maffia (1995-2009) and the electronic music fanzine Ultratomato (2000-2003). President of Rizosfera, he curates the editorial series I forti dell’avvenire and Rizonomia for Rizosfera, and the sub-labels Armcomm Europe, Rizosfera America, NUKFM, and Rizosfera Transmedia.

GABRIELE FANTUZZI, an illustrator, graphic designer, creative director at Delicatessen Design Studio, and teacher at Scuola Comics. He founded, with others, the Arci club Il Signor Spartaco (1989), the comics magazine Arena (1990), and the Kom-Fut Manifesto collective. He was the artistic director and founder of the Red’ko and Maffia clubs. He curated the visual identity of the magazine Ultratomato (UT), the Clubspotting books, Obsolete Capitalism, and Rizosfera. With the publisher Happy Books, he created the illustration book series Mondofragile and Mascotte (2002-2004). Together with Paolo Davoli, he is the editor of Naked Punk (Rizosfera, 2024). He is the tireless curator and organizer of the book Tutte le mani del Maffia (Rizosfera, NUKFM 027, 2026).

LUCA ROCCATAGLIATI, whose stage name/nickname is DJ Rocca, is a producer and musician active since the 1990s, with a repertoire of 15 albums, approximately ninety singles, and over a hundred remixes. He has released music on the best dance music labels and has collaborated with Andrew Weatherall, Howie B, Jazzanova, Dimitri From Paris, François Kevorkian, Franco D’Andrea, and Daniele Baldelli. Starting as a resident and art director of the Maffia Club, he has performed both as a DJ and as a musician in clubs all over the world, from London to Berlin, from Oslo to Barcelona, Paris, Turkey, Japan, China, the United Arab Emirates, the United States, and Brazil.

LETIZIA RUSTICHELLI, a lecturer in Italian language and literature at Sichuan International Studies University in Chongqing (China). She co-founded, with others, the Institute of Dubbology, one of the first Italian club culture agencies which served as the organizational hub for the Maffia Club’s events, where she also held the role of administrative and legal officer. With Paolo Davoli, she founded the cultural association Rizosfera in 2016, and until 2025, she managed its polymedia productions from concept to completion. She oversees the English translations of texts of all Rizosfera’s published works. She edited the books Lost in Translation (Tecnograf, 2009) and La storica cocciuta (Tecnograf, 2008), co-authored with Monica Valcavi, on the mechanisms of editorial translations of postcolonial English-language authors into Italian.

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