APPOINTMENT NOT TO BE MISSED!!! Tomorrow, Sunday 19 September 2021 (6 p.m.), the Teatro Cavallerizza in Reggio Emilia will stage “Repertoire”, a new performance/performance of the work by the Argentine composer Mauricio Kagel, directed by Roberto Paci Dalò, with musical direction by Simone Beneventi and performed by the Zaum_percussion ensemble. One hundred scenes, three hundred sound objects, five performers, a painted scene: an open work that leaves great inventive freedom.
Translated with www.DeepL.com/Translator (free version)
REPERTOIRE by Mauricio Kagel (1971)
19.9.2021, Aperto Festival, Teatro Cavallerizza, Reggio Emilia.
Direction, set design, costumes: Roberto Paci Dalò. Performed by Zaum_percussion.
Info: https://www.iteatri.re.it/spettacolo/repertoire/
100 scenes, 300 sound objects, 5 performers, one painted scene. This is the new performance/staging of Repertoire, a scenic concert by Maurizio Kagel – a composer famous for developing the theatrical aspect of musical performance – with direction, sets and costumes by Roberto Paci Dalò, musical direction by Simone Beneventi and performance by the Zaum_percussion ensemble.
A total work of art, made up of an infinite and surprising series of visual and sound objects and actions. “I like to think of a performance as a deeply interconnected organism – explains Paci Dalò – Working on an author like Kagel only emphasises this need for equal “co-presences” between image, sound, space, bodies, actions and so on. In short, theatre”.
Translated with www.DeepL.com/Translator (free version)
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Roberto Paci Dalò writes: “My intention is to create a rhizomatic field to a “repertoire” made of an infinite and surprising series of visual and sound objects and actions. A «gesamtkunstwerk» (Total Work of Art). Would Kagel have liked this word? But yes, after all, he had indeed decided to settle in Cologne in 1957 where he found fertile ground to realise his works.
In designing the dramaturgy, I could not help but think of his biography. A Porteña youth and his condition of double exile: European Jew in Buenos Aires and Argentinean in Cologne. A permanent refugee, a refugee of thought certainly, I am fascinated by his multiple identities. His rejection of a single identity is an act of resistance and the characters on stage in Repertoire “deterritorialise” and go beyond the gender paradigm.
I like to think of a performance as a deeply interconnected organism. All the elements contribute to the final result and working on an author like Kagel only emphasises this need for equal “co-presences” between image, sound, space, bodies, actions and so on. In short: Theatre”.
Roberto Paci Dalò
