Obsolete Capitalism :: Dromology, Bolidism and Marxist Accelerationism

Obsolete Capitalism :: Dromology, Bolidism and Marxist Accelerationism

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Obsolete Capitalism
Dromology, Bolidism and Marxist Accelerationism

I’ve been waiting for fifteen minutes to be assigned on a mission by the FBI! What the hell is happening to this fuck- ing world? I’m restless!!!’ – ‘And you’re not happy? We have been married for just twenty minutes!’
Stefano Tamburini
Snake Agent

Dromology, bolidism and Marxist accelerationism

Dromology, bolidism and Marxist accelerationism, an odd text by Obsolete Capitalism written in the summer of 2015, represents the first endeavor in the speculative philosophical sphere known by the equally eccentric name of “accelerationism”. The main source of the book is Matteo Pasquinelli’s Algoritmi del Capitale (Ombre Corte, 2014), followed by other texts of contemporary authors such as Molecular Red by McKenzie Wark. However, Obsolete Capitalism has always rejected the label of “review”. In fact, they do not accept the triptych composed of the power gure of the critic, of the role that culture and philosophy assign to critique, and of the dapper halo of the know-it-all reader. As a result, the text is closer to Paul Klee’s semi-automatic rickety appliance, that is, the notorious Twittering machine, or to the saturated distortions and the soft entropy of A.R. Kane’s “suicidal kiss” in 69, rather than to a quasi-essay able to introduce itself in the national and international debate on accelerationism. The matter is that Obsolete Capitalism did not and still does not identify itself in any nineteenth-century political classi cation bestowed on the multiple trends of this movement. Accelerationist thought, be that political or philosophical, does not exhaust itself in the philosophy of Nick Land or Nick Srnicek, among others. The core feature was, and still is, to refuse any form of identification, that is, it is necessary to perpetually trans-identify oneself, and question each model – be that the closest or the most distant one – in order to open spaces for experimentation and caosmosis, that is, for the unthinkable.

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