<\/p>\n
ULTRABLACK OF MUSIC<\/strong> Book Tracks from the artists:<\/em><\/p>\n Automatisme, Thomas K\u00f6ner, B Ashra, Bienoise, bpmf, SIFIR, echonaut, EPS, Marcel Daemgen, Mijk van Dijk, Khem One, Solar Debris, Grupo Coral a Voz do Alentejo na Quinta do Conde feat Dr Walker, Dr. W, Dr. NoiseM, omsk information & dr walker, stine m, svensyntetics, NicoNote & Obsolete Capitalism, Pavel Zhagun, Schmickler Rohrhuber, Somnambule, Stefan Paulus, The Allegorist, Thomas Brinkmann, Bill B. Wintermute, DJ Durbin, Gerriet K. Sharma, Antonia Manhartsberger, Siegfried K\u00e4rcher, Woulg, Zoy Winterstein.<\/p>\n Content:<\/em><\/p>\n Foreword \u2013 Dark Precursions. “Quando la non-politica della frequenza ascolta l’orologio, non sente l’uniforme tic tic, tic, ma sente tic – toc – fanculo l’orologio.<\/p>\n In questo contesto\u00a0Ultra-Black of Music\u00a0specula sui molteplici modi in cui i mondi sonori oggettivi e disumani, che ruggiscono sotto l’apparato senso-logico umano, pervadono e colonizzano senza problemi le nostre capacit\u00e0 alieno-umanoidi, affettive e cognitive.\u00a0Ultra-Black of Music\u00a0specula anche su come costruire vie di uscita dall’imbroglio dei Ritmi Padronali del Capitale Sonico-Mortifero e dai suoi stratagemmi di annientamento e mediocrit\u00e0.<\/p>\n Le produzioni ritmiche speculative portano al limite l’ope-razionalit\u00e0 matematica e le sue auto-amputazioni decisionali e creano la corporeit\u00e0 mancante che ricollega le nostre capacit\u00e0 affettive e le nostre inibizioni disancorando, alienando \/ de-realizzando le nostre relazioni con le astrazioni assassine (binarismo riduttivo, identitismo \/ autismo), la mentalit\u00e0 tecnognostica e le sue mistificazioni.<\/p>\n La musica\u00a0\u2018ultrablackened’ ci affronta e ci spinge anche nella sperimentazione di questo intramezzo senza nome, nel quale possono emergere nuove temporalit\u00e0 i cui percorsi tortuosi e gli stessi risultati finali non possono essere previsti, o garantiti.<\/p>\n L’amore crudele di questa\u00a0\u2018ultrablackness\u2019 sonica \u00e8 fortemente alimentato dall’odio nel porre fine a questo mondo cos\u00ec come\u00a0sonicamente\u00a0lo conosciamo e sperimentiamo.”<\/p><\/blockquote>\n “When non-frequency-politics listens to the clock, it does not hear the uniform tic tic, tic, but it hears tic – toc – fuck the clock.<\/p>\n Against this backdrop Ultra-Black of Music speculates on the manifold ways in which the objective, inhuman soundworlds, which roar underneath humans\u2019 sensological apparatus, pervade and smoothly colonize our humanoid-alien, affective and cognitive capacities \u2013 and how to construct ways out of the mess of the Master Rhythms of Sonic Thanaticist Capital and its stratagems of annihilation and pulpification.<\/p>\n Speculative rhythm productions drive the mathematical ope-rationality and its decisional self-amputations to the edge and create the missing corporeality that rewires our affective capacities and inhibitions by un-mooring, alienating\/de-realizing our relations to the killing abstractions (reductive Binarism, identitism\/autism), the techgnostical mindset and its mystifications.<\/p>\n Ultrablackened music confronts and pushes us also into the experimentation with this nameless in-between, in which new temporalities can emerge whose winding paths and outcomes can neither be predicted nor guaranteed.<\/p>\n Its cruel love vigorously informed and fueled by the hate in ending this world, as we know and sonically experience it.”<\/p><\/blockquote>\n <\/p>","protected":false},"excerpt":{"rendered":" ULTRABLACK OF MUSIC<\/strong>
\nAchim Szepanski
\n<\/em>Mille Plateaux \/ NON<\/p>\n
\n
\n<\/strong>The book includes a track compilation, which you can download.<\/p>\n
\nTechnocultures, Inhuman Rhythmights and the Ultrablack of Non-Music 7
\nJAN HEINTZ
\nSpectral Composition: On Spectral Music, Drone Metal, and Electronic Music 11
\nFR\u00c9D\u00c9RIC NEYRAT
\nUltra-Blackness in Music. A Non-Mixology 23
\nACHIM SZEPANSKI
\nSONIC THANATICISM. A Sensology of The Sonic Capital 45
\nHOLGER SCHULZE
\nTwo Fragments About Rhythm and Nano-Fascism 55
\nZAFER ARACAG\u00d6K
\nDon\u2019t Forget to Change The Beat From Time To Time \u2013 About Counter-Raving 63
\nSHINTARO MIYAZAKI
\nSurrounded by Immersion – Means of Post-Democratic Warfare 69
\nGERRIET K. SHARMA
\nConnegactive-Approaches, to the Production of Vibrational Matters 81
\nTXGEN MEYER
\nMelody and Morphogenesis. Refrains of Culture, Crystals of Time 101
\nTAYLOR ADKINS AND JOSEPH WEISSMAN
\nin|human rhythms 125
\nBERND HERZOGENRATH
\nFrom Rhythm to Glitch: Digital Deformation in Deleuze 139
\nCORRY SHORES AND MELIKE BA\u015eAK YAL\u00c7IN
\nThe Scream and the Sound of the Flesh 157
\nALGORITHMIC COMMITTEE
\nBergsonian Science-Fiction:
\nKodwo Eshun, Gilles Deleuze, & Thinking the Reality of Time 163
\nJOSE ROSALES
\nDeterritorializations \u2013 Field Recordings, Percepts, Smooth Spaces
\nand Bodies-Without-Organs 171
\nSTEFAN PAULUS
\nPolitiken der Frequenz 181
\nMARCUS SCHMICKLER AND JULIAN ROHRHUBER
\nNullen & Einsen 193
\nTHOMAS BRINKMANN
\nTen Thousand Million 201
\nTHOMAS K\u00d6NER
\nTechno is the Message.
\nReflections on the Short Circuits of the Electronic Music Industry 207
\nALESSIO KOLIOULIS
\nDead Detroit Lies Dreaming: Techno (Anti-)Accelerationism 217
\nBENJAMIN NOYS
\n(Cybernetic-)\u2018Post-Pop\u2018: affect art(s) & (emotional) self-governing 221
\nBILL B. WINTERMUTE<\/p>\n
\n
\nULTRABLACKOFMUSIC
\nApril 2020<\/h6>\n
\nAchim Szepanski
\n<\/em>Mille Plateaux \/ NON<\/p>\n","protected":false},"featured_media":217508,"template":"","meta":[],"label":[431],"product_cat":[120,173],"product_tag":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/product\/217599"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/217508"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=217599"}],"wp:term":[{"taxonomy":"label","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/label?post=217599"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/product_cat?post=217599"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/product_tag?post=217599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}