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\u201cEvery move on\u00a0Adi Newton<\/strong>\u2018s field has its own ethico-aesthetic reason for being, projected forward, a calling to explore enduring paradigms and future languages. The latest act under the Clock DVA name is a sort of \u2018lost album\u2019, created with the intent to fill a chronological\/creative void in the third artistic phase begun in the 2010s, a period that marked the project\u2019s rebirth after a long period of latency and the arrival of the polyhedric\u00a0Maurizio TeZ Martinucci<\/strong>.<\/p>\n In the pages of\u00a0Adi Newton: Second Sight<\/i><\/strong>, the English-language edition of Clock DVA\/TAGC \u2013 Sogni sepolti (2022), acclaimed music critic Paolo Bertoni provides a meticulous analysis of Adi Newton\u2019s works, including collateral endeavors like The Anti Group\/ TAGC, Psychophysicist, etc., and a brief chapter on the legendary, meteor-like band The Future, the nucleus from whose cells Clock DVA and The Human League were born. They were pioneers of the Sheffield electronic scene which, besides our subjects, included seminal, indispensable entities like Cabaret Voltaire and Vice Versa. A philological vade mecum on the musical activities and respective phases of a revolutionary force called Clock DVA, in homage to that\u00a0 \u201cA Clockwork Orange\u201d\u00a0 of Kubrickian memory\u2026 A man of knowledge and thought, the charismatic Adi has rightfully distinguished himself on the frontlines of a wide-spectrum avant-garde research, where the poly-dimensional character of the Newtonian genius feeds on cultivated content, among literary and cinematic references, esoteric registers and futuristic glimpses, science and science fiction, philosophy and cosmology, technology and psychoacoustics\u2026<\/p>\n Throughout their career, Clock DVA have developed a virtuous theorem of music and visual arts increasingly marked by a flawless, millimetric perfectionism, compositional strategies that incite one to elevate the threshold of synesthetic-sensory perception. Bertoni\u2019s agile volume constitutes an excellent guide for navigating the complex itineraries of this extraordinary musical galaxy. To crown it, the valuable interviews given by Adi and TeZ.<\/p>\n Tasked with \u201ccapturing the sonic essence of the third phase,\u201d the musical section of\u00a0Second Sight<\/i>\u00a0features 11 titles in total, among rarities, unreleased tracks, and alternative versions consistent with the compendium\u2019s spirit\u2014a necessary act that our indomitable researchers of parallel worlds place in a pre-Noesis<\/i>\u00a0 spatiotemporal segment, the 2023 masterpiece.<\/p>\n Studded with transfigured vocal themes, the mathematical, yet epic-solemn script of\u00a0Endless<\/i>\u00a0opens the dance of a cinematic party in the cosmos\u2019s higher spheres. Glimpses of electrodynamic irradiations that inoculate charges of physical-cerebral energy into the algebraic codes of\u00a0The Konstructor<\/i>,\u00a0Re_Rayonist<\/i>,\u00a0Kabaret 13_Zvukopis_RMX<\/i>\u00a0 and\u00a0\u00a0Re_Arketechton<\/i>, where pulsating lines of computerized figures and spurts of metronomic beats unleash incomparable harmonic-vibrational events, further fueled by ellipses of mercurial frequencies and melodic passages to be read between the lines.<\/p>\n In the prismatic\u00a0Neoteric<\/i>, Adi\u2019s cavernous voice returns to dispense narrative enigmas that provide a lyrical counterpoint to the surgical pulses of the rhythmic weave and the glacial, orbiting waves floating in the background. If the immersive\u00a0\u00a0Sentinel<\/i>\u00a0and\u00a0Immission<\/i>\u00a0set in motion flows of alien drones and holograms of refracted, forthcoming crystals, the hypnotic\u00a0Re_Amna<\/i>\u00a0teems with gravitational sequences made of astral stones and atoms of crystal, while the \u2018noetic\u2019\u00a0The Simulacra<\/i>\u00a0and\u00a0Drive The Exotic Non-Essentials<\/i>\u00a0(exclusive titles from the\u00a0Noesis<\/i>\u00a0 CD) agitate neuronal cells that trigger rushes of adrenaline and shudders of dark, oneiric pleasure.\u00a0Immense.<\/strong>\u201c<\/p>\n<\/div>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" EXCEPTIONAL FEATURE + REVIEW OF “SECOND SIGHT” (CLOCK DVA CD + PAOLO BERTONI’S BOOK) BY ALDO CHIMENTI (ROCKERILLA, OCTOBER ISSUE) Clock DVA: the Seer and the Clock by Aldo Chimenti (Rockerilla, October 2025) \u201cEvery move on\u00a0Adi Newton\u2018s field has its own ethico-aesthetic reason for being, projected forward, a calling to explore enduring […]<\/p>\n","protected":false},"author":18,"featured_media":218873,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[311,338,320,175,279,411,36,296,39,457,441,413,298,144,454,364],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/218872"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=218872"}],"version-history":[{"count":10,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/218872\/revisions"}],"predecessor-version":[{"id":218884,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/218872\/revisions\/218884"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/218873"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=218872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=218872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=218872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}