{"id":217402,"date":"2024-12-18T17:57:02","date_gmt":"2024-12-18T16:57:02","guid":{"rendered":"https:\/\/rizosfera.org\/?p=217402"},"modified":"2024-12-19T18:07:48","modified_gmt":"2024-12-19T17:07:48","slug":"neural-magazine-eccellente-recensione-di-audio-computing-di-psychophysicist","status":"publish","type":"post","link":"https:\/\/rizosfera.org\/en\/blog\/neural-magazine-eccellente-recensione-di-audio-computing-di-psychophysicist\/","title":{"rendered":"NEURAL MAG :: A BRILLIANT REVIEW OF PSYCHOPHYSICIST&#8217;S AUDIO COMPUTING"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-217403\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-300x71.png\" alt=\"\" width=\"300\" height=\"71\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-300x71.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-1024x241.png 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-768x180.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-350x82.png 350w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-1220x287.png 1220w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-532x125.png 532w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-180x42.png 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-260x61.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31-125x29.png 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-19-alle-18.01.31.png 1268w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"439PhUjwK8\"><p><a href=\"https:\/\/neural.it\/2024\/12\/psychophysicist-audio-computing\/\" rel=\"nofollow noopener\" target=\"_blank\">Psychophysicist \u2013 Audio Computing<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Psychophysicist \u2013 Audio Computing&#8221; &#8212; Neural\" src=\"https:\/\/neural.it\/2024\/12\/psychophysicist-audio-computing\/embed\/#?secret=439PhUjwK8\" data-secret=\"439PhUjwK8\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<header>\n<h2 class=\"entry-title\">Psychophysicist \u2013 Audio Computing<\/h2>\n<\/header>\n<div class=\"entry-content\">\n<p class=\"post-image\" title=\"Permalink to Psychophysicist \u2013 Audio Computing\"><img loading=\"lazy\" class=\"attachment- size-\" src=\"https:\/\/neural.it\/wp-content\/uploads\/2024\/11\/Psychophysicist-Audio-Computing.jpg\" sizes=\"(max-width: 600px) 100vw, 600px\" srcset=\"https:\/\/neural.it\/wp-content\/uploads\/2024\/11\/Psychophysicist-Audio-Computing.jpg 600w, https:\/\/neural.it\/wp-content\/uploads\/2024\/11\/Psychophysicist-Audio-Computing-150x150.jpg 150w, https:\/\/neural.it\/wp-content\/uploads\/2024\/11\/Psychophysicist-Audio-Computing-300x300.jpg 300w, https:\/\/neural.it\/wp-content\/uploads\/2024\/11\/Psychophysicist-Audio-Computing-144x144.jpg 144w\" alt=\"Created with GIMP\" width=\"600\" height=\"600\" \/><\/p>\n<p><strong class=\"pub-details\">CD \u2013 ARMComm Rizosfera Europe<\/strong><\/p>\n<p>It has taken twenty-eight years for this second album to arrive from Psychophysicist \u2013 the psychoacoustic project of Adi Newton, the charismatic frontman of seminal, cyberpunk group Clock DVA. The multi-instrumentalist and now electronic manipulator, originally from Sheffield, has always been comfortable juggling different styles, capable of alien-pop bursts but also refined experimental and conceptual explorations, supported in his many incarnations by various high-profile collaborators. This time he is joined by Paul Prudence, a writer, theorist, and performer who works with generative videos and abstract soundscapes. Newton and Prudence have been working together intermittently since 2016 and in 2023 were joined by sound composer and graphic artist Fabio Kubic. Adi Newton also worked with Jacques Beloeil on the production, equalization and mastering of the album. The seven compositions that arise from these various collaborations are compelling. The conceptual origins of the project lie in the theoretical work of Boris Yankovsky, a member of the Multzvuk group and student of Arsiney Araamov, another important Russian avant-garde composer. Many artists from the 1930s experimented with optical synthesis methods and photoelectric processes. Yankovsky in particular realised that timbre was a material characteristic of complex sounds and felt that it was vital in developing a spectral approach. His work was based on the belief that it was possible to develop a universal language of sound using different combinations of hand-drawn spectral \u2018sound objects\u2019, similar to the cross-synthesis and phase-synthesis techniques that came later. We, in the case of this work from Adi Newton, don\u2019t need to philosophise on sound, but prefer to stick to what Karlheinz Stockhausen mentioned in an interview once when he underlined how he was interested in \u2018only the results\u2019 and not the way they were obtained. On Audio Computing, the results are truly wonderful.<\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Psychophysicist \u2013 Audio Computing Psychophysicist \u2013 Audio Computing CD \u2013 ARMComm Rizosfera Europe It has taken twenty-eight years for this second album to arrive from Psychophysicist \u2013 the psychoacoustic project of Adi Newton, the charismatic frontman of seminal, cyberpunk group Clock DVA. The multi-instrumentalist and now electronic manipulator, originally from Sheffield, has always been comfortable [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":215354,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[311,175,39,313,144],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/217402"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=217402"}],"version-history":[{"count":3,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/217402\/revisions"}],"predecessor-version":[{"id":217406,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/217402\/revisions\/217406"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/215354"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=217402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=217402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=217402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}