{"id":216823,"date":"2024-06-22T09:34:16","date_gmt":"2024-06-22T08:34:16","guid":{"rendered":"https:\/\/rizosfera.org\/?p=216823"},"modified":"2024-06-23T17:23:49","modified_gmt":"2024-06-23T16:23:49","slug":"recensione-clock-dva-and-litez-su-blow-up-a-cura-di-paolo-bertoni","status":"publish","type":"post","link":"https:\/\/rizosfera.org\/en\/blog\/recensione-clock-dva-and-litez-su-blow-up-a-cura-di-paolo-bertoni\/","title":{"rendered":"BREAKING NEWS! REVIEW OF CLOCK DVA AND LITEZ ON BLOW UP MAGAZINE BY PAOLO BERTONI (JUNE 2024)"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-216824\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-300x233.png\" alt=\"\" width=\"300\" height=\"233\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-300x233.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-1024x796.png 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-768x597.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-161x125.png 161w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-502x390.png 502w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-515x400.png 515w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-180x140.png 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-260x202.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-23-alle-09.39.53-125x97.png 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><b>ENG : <\/b>The reviews of the new albums by Clock DVA (EXT Vol.1) and LiTeZ (Tout vient de l\u00e0) have been published in the June issue of Blow Up, the famous Italian music criticism magazine. The review is by Paolo Bertoni.<\/p>\n<p><b>DE :<\/b>Die Rezensionen der neuen Alben von Clock DVA (EXT Vol.1) und LiTeZ (Tout vient de l\u00e0) wurden in der Juni-Ausgabe von Blow Up, dem ber\u00fchmten italienischen Musikmagazin, ver\u00f6ffentlicht. Die Rezension ist von Paolo Bertoni.<\/p>\n<p><strong>FR<\/strong>: Les critiques des nouveaux albums de Clock DVA (EXT Vol.1) et de LiTeZ (Tout vient de l\u00e0) ont \u00e9t\u00e9 publi\u00e9es dans le num\u00e9ro de juin de Blow Up, le c\u00e9l\u00e8bre magazine italien de critique musicale. La critique est sign\u00e9e Paolo Bertoni.<\/p>\n<p><strong>ES<\/strong>: Las rese\u00f1as de los nuevos \u00e1lbumes de Clock DVA (EXT Vol.1) y LiTeZ (Tout vient de l\u00e0) se han publicado en el n\u00famero de junio de Blow Up, la famosa revista italiana de cr\u00edtica musical. La rese\u00f1a es de Paolo Bertoni.<\/p>\n<p><strong>NL<\/strong>: De recensies van de nieuwe albums van Clock DVA (EXT Vol.1) en LiTeZ (Tout vient de l\u00e0) zijn gepubliceerd in het juni-nummer van Blow Up, het beroemde Italiaanse muziekblad. De recensie is van Paolo Bertoni.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-216436\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-300x300.jpg 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-1024x1024.jpg 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-150x150.jpg 150w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-768x768.jpg 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-60x60.jpg 60w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-200x200.jpg 200w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-125x125.jpg 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-390x390.jpg 390w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-110x110.jpg 110w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-400x400.jpg 400w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-180x180.jpg 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1-260x260.jpg 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/Clock_DVA_EXT_1.jpg 1600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/> <img loading=\"lazy\" class=\"alignnone size-medium wp-image-216404\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-300x300.jpg 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-1024x1024.jpg 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-150x150.jpg 150w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-768x768.jpg 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-60x60.jpg 60w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-200x200.jpg 200w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-125x125.jpg 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-390x390.jpg 390w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-110x110.jpg 110w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-400x400.jpg 400w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-180x180.jpg 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ-260x260.jpg 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/05\/LiTeZ.jpg 1600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>CLOCK DVA EXT VOLUME 1 :: Armcomm Rizosfera Europe 007<\/strong><\/h3>\n<p>The new album &#8220;EXT Vol. 1&#8221; by Clock DVA promises to inaugurate a new chapter in the rekindled flame of Clock DVA, where &#8216;volume 1&#8217; is to be understood as the first in a series of releases that will focus on the more experimental inclinations developed during the many years of substantial silence of Adi Newton&#8217;s main project. These sessions were recorded by Adi and TeZ in 2016 at the prestigious EMS studios in Stockholm, during a week of diligent work with modular synthesizers like the Buchla 200 and the Serge. The exclusively instrumental nature of &#8220;EXT Volume 1&#8221; can only seemingly be compared to works like &#8220;Digital Soundtracks&#8221; or &#8220;Post-Sign,&#8221; as, beyond its analog material, the improvisational component is quite different, related to psychic automatism and the non-demonized presence of elements of chance. The vibrations of the opening &#8220;Thinking Mirrors&#8221; elevate us into a sci-fi scenario as fascinating as it is full of unknowns, with pressing dynamics that then grow into rhythmic DVA classicisms, set in a spatial vortex in the subsequent &#8220;Pharmaceutics,&#8221; to fall into cosmic ecstasy with &#8220;Falling Star.&#8221; If the narrative &#8220;Second Window&#8221; traces sharply melodic, never aestheticizing lines, deep is the gloom, supported by metallic reflections and noise streaks, of &#8220;The Black Corridor,&#8221; while the relentless rhythms that merge DVA and Kraftwerk in &#8220;Time Whirlpools&#8221; and the imaginative dimension of the journey between celestial bodies evoked by &#8220;Meridians&#8221; are inexorable. [8.0] Paolo Bertoni<\/p>\n<h3><strong>LiTeZ TOUT VIENT DE LA&#8217;\u00a0 :: Rizosfera NUKFM 022<\/strong><\/h3>\n<p>We stay within the realm of Clock DVA, recording, not without astonishment, a new project, LiTeZ, which involves the indefatigable TeZ paired with Li Alin, a Canadian multimedia artist, creator of a good album &#8220;All In&#8221; for the Asphodel label (2006) with the contribution of Naut Humon of Rhythm &amp; Noise. The start of &#8220;Tout vient de l\u00e0&#8221; is formidable with the circling electro of the gibsonian crypt of &#8220;Amn\u00e9sie&#8221; that perfectly blends with the voice of Li Alin, warm, deep, naturally in an enchanting French, the beginning of a collection that, if it immediately doubles with the similar, seductive &#8220;Rapproche,&#8221; then sharply turns after the solid ground represented by the insinuating &#8220;Ode,&#8221; with captivating rhythms coming to the rescue in terms of immediacy, delving into darkness with &#8220;Immense,&#8221; wrapped in an ethereal 4AD mantle with psychedelic refractions, &#8220;Corps,&#8221; dark and crossed by Li Alin&#8217;s whispers and dotted with concrete fragments, the ballad &#8220;Catacombes,&#8221; where the voice becomes even more persuasive, then reveals itself as magical, almost bordering on the witchcraft, in the final &#8220;Transfert.&#8221; [7.7] Paolo Bertoni<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-216621\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-300x300.jpg 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-1024x1024.jpg 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-150x150.jpg 150w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-768x768.jpg 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-60x60.jpg 60w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-200x200.jpg 200w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-125x125.jpg 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-390x390.jpg 390w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-110x110.jpg 110w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-400x400.jpg 400w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-180x180.jpg 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/04\/LITEZ4-260x260.jpg 260w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-216672\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-300x173.png\" alt=\"\" width=\"300\" height=\"173\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-300x173.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-1024x592.png 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-768x444.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-216x125.png 216w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-674x390.png 674w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-692x400.png 692w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-180x104.png 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-260x150.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2024\/06\/Schermata-2024-06-02-alle-09.40.37-125x72.png 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>ENG : The reviews of the new albums by Clock DVA (EXT Vol.1) and LiTeZ (Tout vient de l\u00e0) have been published in the June issue of Blow Up, the famous Italian music criticism magazine. The review is by Paolo Bertoni. DE :Die Rezensionen der neuen Alben von Clock DVA (EXT Vol.1) und LiTeZ (Tout [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":216824,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[311,338,299,279,37,403,296,39,298,144],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/216823"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=216823"}],"version-history":[{"count":4,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/216823\/revisions"}],"predecessor-version":[{"id":216828,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/216823\/revisions\/216828"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/216824"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=216823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=216823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=216823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}