{"id":215765,"date":"2024-03-09T16:20:26","date_gmt":"2024-03-09T15:20:26","guid":{"rendered":"https:\/\/rizosfera.org\/?p=215765"},"modified":"2024-03-11T09:15:28","modified_gmt":"2024-03-11T08:15:28","slug":"intervistadmstfctn-waluigis-purgatory-coeval-magazine","status":"publish","type":"post","link":"https:\/\/rizosfera.org\/en\/blog\/intervistadmstfctn-waluigis-purgatory-coeval-magazine\/","title":{"rendered":"INTERVIEW ::  dmstfctn AND EVITA MANJI :: WALUIGI&#8217;S PURGATORY BY COEVAL MAGAZINE"},"content":{"rendered":"<p><strong>Coeval Magazine has published an interesting interview with dmstfctn\u00a0and Evita Manji to discuss the performance a few days after its <a href=\"https:\/\/www.serpentinegalleries.org\/whats-on\/dmstfctn-waluigis-purgatory\/\" rel=\"nofollow noopener\" target=\"_blank\">premiere<\/a> in London curated and produced by <a href=\"https:\/\/www.serpentinegalleries.org\/arts-technologies\/\" rel=\"nofollow noopener\" target=\"_blank\">Serpentine Arts Technologies<\/a> and <a href=\"https:\/\/h-q-i.com\/\" rel=\"nofollow noopener\" target=\"_blank\">HQI<\/a>.<\/strong><\/p>\n<blockquote><p>&#8220;This work is different compared to the first episode, which was trying to be more didactic. In our previous episode, humans were part of a complex system, and were literally a machine learning technique, and therefore, hopefully would have understood something technical about AI. This second episode, <em>Waluigi&#8217;s Purgatory,<\/em> does not try to explain anything in particular, it literally leans into what could be a dream of an AI. It almost operates as a counter-myth or just yet-another-myth added to the canon of discussion around AI. So not demystification in a myth-busting sense, but it&#8217;s totally mythologising.&#8221;<\/p><\/blockquote>\n<p>Continue reading the full interview <a href=\"https:\/\/www.coeval-magazine.com\/coeval\/dmstfctn-evita-manji\" rel=\"nofollow noopener\" target=\"_blank\">here\u00a0<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Coeval Magazine has published an interesting interview with dmstfctn\u00a0and Evita Manji to discuss the performance a few days after its premiere in London curated and produced by Serpentine Arts Technologies and HQI. &#8220;This work is different compared to the first episode, which was trying to be more didactic. In our previous episode, humans were part [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":215768,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[314,87,354,290],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/215765"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=215765"}],"version-history":[{"count":13,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/215765\/revisions"}],"predecessor-version":[{"id":215815,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/215765\/revisions\/215815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/215768"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=215765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=215765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=215765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}