{"id":213677,"date":"2022-11-19T19:20:57","date_gmt":"2022-11-19T18:20:57","guid":{"rendered":"https:\/\/rizosfera.org\/?p=213677"},"modified":"2022-11-19T19:24:51","modified_gmt":"2022-11-19T18:24:51","slug":"20-nov-2022-presentazione-libro-clock-dva-tagc-sogni-sepolti-di-paolo-bertoni-al-caseificio-la-rosa-poviglio-re-h-17-00-20-00","status":"publish","type":"post","link":"https:\/\/rizosfera.org\/en\/blog\/20-nov-2022-presentazione-libro-clock-dva-tagc-sogni-sepolti-di-paolo-bertoni-al-caseificio-la-rosa-poviglio-re-h-17-00-20-00\/","title":{"rendered":"20 Nov 2022: Book presentation &#8216;Clock DVA \/ TAGC. Sogni sepolti&#8217; by Paolo Bertoni at the Caseificio La Rosa (Poviglio\/RE) \/ H. 17.00-20.00 (ITA)"},"content":{"rendered":"<p><\/p>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div><img loading=\"lazy\" class=\"alignnone size-medium wp-image-213678\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-300x300.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-1021x1024.png 1021w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-150x150.png 150w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-768x771.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-60x60.png 60w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-200x200.png 200w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-125x125.png 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-389x390.png 389w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-110x110.png 110w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-399x400.png 399w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-180x180.png 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52-260x260.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-18-alle-20.54.52.png 1194w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n<\/div>\n<\/div>\n<h3><span style=\"color: #ff0000;\"><strong>ONLY IN ITALIAN LANGUAGE<\/strong><\/span><\/h3>\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\"><span class=\"\" style=\"font-size: x-large;\"><b class=\"\">Domenica 20 novembre 2022 \/ Caseificio La Rosa, Via Romana n. 200\/1, Poviglio (RE)<\/b><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\"><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: x-large;\"><b class=\"\">17 &#8211; 18 DJ set Andrea Amadasi \/ Clock DVA and other synth wave \/ new wave sounds <\/b><\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: x-large;\"><b class=\"\">18 &#8211; 19.30 Colloquio di Rizosfera con Paolo Bertoni, autore del libro &#8216;Clock DVA \/ TAGC. Sogni sepolti&#8217;. Serata in collaborazione di Blow Up magazine. <\/b><\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: x-large;\"><b class=\"\">20.00 Termine di &#8216;Musica e altri effetti collaterali&#8217; edizione del 20 novembre 2022.<\/b><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<\/div>\n<\/div>\n<\/div>\n<div><img loading=\"lazy\" class=\"alignnone size-medium wp-image-213680\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-300x149.png\" alt=\"\" width=\"300\" height=\"149\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-300x149.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-1024x508.png 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-768x381.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-252x125.png 252w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-786x390.png 786w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-806x400.png 806w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-180x89.png 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-260x129.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.26.50-125x62.png 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: x-large;\"><b class=\"\"><u class=\"\">Prima parte\u00a0<\/u><\/b><\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: x-large;\"><b class=\"\"><u class=\"\">\u00a0<\/u><\/b><\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\"><span class=\"\" style=\"color: #ff2600;\"><b class=\"\">18.00 &#8211; 18.10<\/b><\/span>\u00a0<span class=\"\" style=\"color: #ff2600;\"><span class=\"\"><b class=\"\">UNA SINISTRA MAGNIFICENZA\u00a0<\/b><\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">0) Introduzione con warm up di video introduttivi del contesto SYNTH BRITANNIA \/ ELECTRONIC PUNK<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">1)\u00a0<span class=\"\" style=\"color: #0433ff;\">Blind Youth \/ Human League (1978 \/\u00a0<\/span><\/span><span class=\"\" style=\"font-size: large;\">No future they say\/But must it be that way?\/Now is calling\/The city is human)\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">2)\u00a0<span class=\"\" style=\"color: #0433ff;\">Nag Nag Nag \/ Cabaret Voltaire<\/span>\u00a0(1979) Uno dei primi singoli di Cabaret Voltaire per Rough Trade.<\/span><\/div>\n<div class=\"\"><span class=\"\"><span class=\"\" style=\"color: #ff2600;\">\u00a0<\/span><\/span><\/div>\n<div class=\"\"><span class=\"\"><span class=\"\" style=\"color: #ff2600;\"><b class=\"\">18.10-18.30<\/b><\/span><span class=\"\" style=\"color: #ff2600;\"><b class=\"\"><span class=\"\" style=\"font-size: large;\">IL FUTURO, DAL PUNK ALL\u2019INDUSTRIALE \/ OROLOG\u00ccA E ANIME BIANCHE IN VESTITI NERI\u00a0<\/span><\/b><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div><img loading=\"lazy\" class=\"alignnone size-medium wp-image-213679\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-300x284.png\" alt=\"\" width=\"300\" height=\"284\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-300x284.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-1024x970.png 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-768x727.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-132x125.png 132w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-412x390.png 412w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-422x400.png 422w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-180x170.png 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-260x246.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/11\/Schermata-2022-11-17-alle-19.27.47-125x118.png 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\"><\/div>\n<div class=\"\"><b class=\"\"><span class=\"\" style=\"font-size: x-large;\"><u class=\"\">Seconda parte<\/u><\/span><\/b><\/div>\n<div class=\"\">\n<div class=\"\"><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\"><span class=\"\" style=\"color: #ff2600;\">18.30 \/ 18.40<\/span>\u00a0<span class=\"\" style=\"color: #ff2600;\"><b class=\"\">LA SETE DI UNA NUOVA ONDATA FINO AL VANTAGGIO DI UN RELATIVO SUCCESSO. LINEA DI FUGA CON L\u2019ESPERIMENTO DELL\u2019ANTI GRUPPO E RITORNO AL FUTURO CON L\u2019AVVENTO DEGLI HACKER E DELL\u2019UOMO AMPLIFICATO<\/b><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<p>&nbsp;<\/p>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\">\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">Presentazione video inerenti la proposta sonora di Clock Dva negli anni 80<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">3) <span class=\"\" style=\"color: #0433ff;\">Clock Dva Resistance<\/span> (1983 \/ terzo album ufficiale di Clock Dva)<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">4) <span class=\"\" style=\"color: #0433ff;\">Clock Dva Hacker<\/span> (1988 \/ singolo della rinascita di Clock Dva, periodo elettronico)<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">\u00a0<\/span><\/div>\n<\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\"><span class=\"\" style=\"color: #ff2600;\"><b class=\"\">18.40 &#8211; 19.00<\/b><\/span> Riguardo gli anni 80, presentiamo i tre diversi scenari in cui si cimenta Adi Newton: 1) Clock DVA \/ apice della new wave noir (1981-1984) 2) sperimentazione ed esoterismo con The Anti Group\/TAGC (1985-1987) e 3) rinascita dei Clock Dva con l&#8217;evoluzione cyberpunk \/ cold wave \/ dark-synth (1988-1993)<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div><img loading=\"lazy\" class=\"alignnone size-medium wp-image-210992\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-300x300.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-1024x1021.png 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-150x150.png 150w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-768x766.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-60x60.png 60w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-200x200.png 200w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-125x125.png 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-391x390.png 391w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-110x110.png 110w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-401x400.png 401w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover-260x260.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/02\/meonIII_frontcover.png 1272w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\"><\/div>\n<div class=\"\" dir=\"auto\">\n<div class=\"\"><b class=\"\"><span class=\"\" style=\"font-size: x-large;\"><u class=\"\">Terza parte\u00a0<\/u><\/span><\/b><\/div>\n<div class=\"\"><b class=\"\"><span class=\"\" style=\"font-size: x-large;\"><u class=\"\">\u00a0<\/u><\/span><\/b><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\"><span class=\"\" style=\"color: #ff2600;\"><b class=\"\">19.00 &#8211; 19.10<\/b><\/span>\u00a0<span class=\"\" style=\"color: #ff2600;\"><b class=\"\">NUOVE MEONTOLOGIE, IL FUTURO INIZIA CON LA ROTTURA DAL PASSATO, MA ALL\u2019ERTA VERSO I POTERI\/MOTORI DI INTIMIDAZIONE. ABBIAMO BISOGNO DI NUOVI CODICI PER COMBATTERE LA NUOVA FORMA DI OPPRESSIONE DIGITALE<\/b><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">Presentazione video del grande ritorno sulla scena di Adi Newton, a partire dal 2011-2012, dopo il suo ritiro dalle scene nel periodo 1995-2010, durato quindici anni.<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">\u00a0<\/span><\/div>\n<div class=\"\">\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">5) <span class=\"\" style=\"color: #0433ff;\">The Anti Group The Inhabitants of Nemirion<\/span> (2021, Meontological Research Recordings III)<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">6) <span class=\"\" style=\"color: #0433ff;\">Clock Dva The Konstructor<\/span> (2014\/ Clock 2) Si riparte dove si era finito e cio\u00e8 da\u00a0<\/span><span class=\"\"><span class=\"\" style=\"font-size: large;\"><span class=\"\" style=\"font-family: var(--font-family-default-latin);\">El Lissitzky \u2013 der Konstrukteur (1924) \u00e8 il titolo dell<\/span>\u2019<span class=\"\" style=\"font-family: var(--font-family-default-latin);\">opera di EL che fu inserita come cover dell&#8217;album The Man Amplified (CDVA 1992)<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<blockquote class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\" dir=\"auto\">\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\"><b class=\"\"><span class=\"\" style=\"color: #ff2600;\">19.10 &#8211; 19.40<\/span><\/b>\u00a0Anni Dieci e Venti del XXI secolo: il ritorno di Adi Newton tramite lo strumento produttivo ARMComm \/ Anterior Research tramite il quale egli cerca sia l&#8217;indipendenza artistica ed economica dal mercato (riedizione del DIY evoluto dal punk originario) sia una nuova articolazione progettuale con nuovo personale (Tez + Vasylenko + Panas) di Clock DVA e TAG\/TAGC. Ultimo punto della serata \u00e8 la sfida di ARMCOMM EUROPE a partire da quest\u2019anno, il 2022 e le ultime produzioni in essere ORGAN NEEDLES (TAG), AMMA (The Anti Group), NEWTONES (Adi Newton) NOESIS (Clock DVA).<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\">\u00a0<\/span><\/div>\n<div class=\"\"><span class=\"\" style=\"font-size: large;\"><b class=\"\"><span class=\"\" style=\"color: #ff2600;\">19.40 &#8211; 19.45<\/span><\/b> Clock DVA Syndrome Live (2019) Uscita \/ Coda \/\u00a0 <span class=\"\" style=\"color: #ff2600;\"><b class=\"\">ORE 20.00 TERMINE DELLA PRESENTAZIONE<\/b><\/span><\/span><\/div>\n<div><\/div>\n<\/div>\n<div>\n<figure id=\"attachment_212698\" aria-describedby=\"caption-attachment-212698\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"size-medium wp-image-212698\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-300x271.png\" alt=\"\" width=\"300\" height=\"271\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-300x271.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-1024x926.png 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-768x694.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-138x125.png 138w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-431x390.png 431w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-443x400.png 443w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-180x163.png 180w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-260x235.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2022\/07\/COVER-VINILE-CLOCK-DVA-NOESIS-125x113.png 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-212698\" class=\"wp-caption-text\">NOESIS VINYL COVER<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>ONLY IN ITALIAN LANGUAGE Domenica 20 novembre 2022 \/ Caseificio La Rosa, Via Romana n. 200\/1, Poviglio (RE) 17 &#8211; 18 DJ set Andrea Amadasi \/ Clock DVA and other synth wave \/ new wave sounds 18 &#8211; 19.30 Colloquio di Rizosfera con Paolo Bertoni, autore del libro &#8216;Clock DVA \/ TAGC. Sogni sepolti&#8217;. Serata [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":213678,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[311,319,299,279,83,36,39,315],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/213677"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=213677"}],"version-history":[{"count":4,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/213677\/revisions"}],"predecessor-version":[{"id":213684,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/213677\/revisions\/213684"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/213678"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=213677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=213677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=213677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}