{"id":211507,"date":"2021-07-26T10:10:36","date_gmt":"2021-07-26T10:10:36","guid":{"rendered":"https:\/\/rizosfera.org\/?p=211507"},"modified":"2021-07-26T10:27:44","modified_gmt":"2021-07-26T10:27:44","slug":"d-donna-di-repubblica-24-luglio-sorelle-elettriche-con-limbo-session-1-di-niconote-e-wang-inc","status":"publish","type":"post","link":"https:\/\/rizosfera.org\/en\/blog\/d-donna-di-repubblica-24-luglio-sorelle-elettriche-con-limbo-session-1-di-niconote-e-wang-inc\/","title":{"rendered":"D Mag (Repubblica) :: 24 July, 2021 :: &#039;Sorelle Elettriche&#039; article by Pierfrancesco Pacoda with Limbo Session 1 by NicoNote and Wang Inc!"},"content":{"rendered":"<p><\/p>\n<h1><img loading=\"lazy\" class=\"alignnone size-medium wp-image-211508\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-300x130.jpg\" alt=\"\" width=\"300\" height=\"130\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-300x130.jpg 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-1024x444.jpg 1024w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-768x333.jpg 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-288x125.jpg 288w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-899x390.jpg 899w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-922x400.jpg 922w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-260x113.jpg 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D-125x54.jpg 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Limbo-Session-D-Donna-Art_D.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/h1>\n<h1><strong>NicoNote \/ Wang Inc. :: Limbo Session 1 on D Mag (Repubblica) with &#8216;Sorelle Elettriche&#8217; &#8212;-<\/strong><\/h1>\n<p><strong>Pierfrancesco Pacoda<\/strong> writes in the article <strong>Sorelle Elettriche<\/strong> in <strong>D<\/strong>\u00a0<strong>Mag<\/strong>, Repubblica (24 July 2021): &#8221; (&#8230;) References that are not limited to music but, as in the case of Nicoletta Magalotti, concern modern literature. As in her most recent work with producer <strong>Wang Inc.<\/strong> A series of improvised tracks that also contain &#8216;glitch&#8217; based on the words of the poet Amelia Rosselli, the writer and beat poet Lawrence Ferlinghetti and the Caribbean-born poet Kamau Brathwaite. &#8216;<strong>Limbo Session<\/strong>&#8216;, says the artist <strong>NicoNote<\/strong>, &#8216;develops between shreds of sentences taken from the works of these poets and my own words that do not belong to any language, and are essentially sound, they become image, they make us perceive the pleasure of the &#8220;unknown&#8221;, of the mystery, of the &#8220;unfinished&#8221;. (&#8230;)&#8221;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-211510\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-300x300.png 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-150x150.png 150w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-768x770.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-60x60.png 60w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-200x200.png 200w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-125x125.png 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-389x390.png 389w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-110x110.png 110w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-399x400.png 399w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54-260x260.png 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/07\/Schermata-2021-07-26-alle-12.08.54.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-211136\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-300x300.jpg 300w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-150x150.jpg 150w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-768x768.jpg 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-60x60.jpg 60w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-200x200.jpg 200w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-125x125.jpg 125w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-390x390.jpg 390w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-110x110.jpg 110w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-400x400.jpg 400w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo-260x260.jpg 260w, https:\/\/rizosfera.org\/wp-content\/uploads\/2021\/03\/cover_limbo.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>NicoNote \/ Wang Inc. :: Limbo Session 1 on D Mag (Repubblica) with &#8216;Sorelle Elettriche&#8217; &#8212;- Pierfrancesco Pacoda writes in the article Sorelle Elettriche in D\u00a0Mag, Repubblica (24 July 2021): &#8221; (&#8230;) References that are not limited to music but, as in the case of Nicoletta Magalotti, concern modern literature. As in her most recent [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":211509,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[39],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/211507"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=211507"}],"version-history":[{"count":0,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/211507\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/211509"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=211507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=211507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=211507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}