{"id":209891,"date":"2020-02-28T17:57:15","date_gmt":"2020-02-28T17:57:15","guid":{"rendered":"https:\/\/rizosfera.org\/?p=209891"},"modified":"2020-02-28T18:04:35","modified_gmt":"2020-02-28T18:04:35","slug":"out-now-ultrablack-of-music-book-is-available-from-today-mille-plateaux-force-inc-non-editor-achim-szepanski","status":"publish","type":"post","link":"https:\/\/rizosfera.org\/en\/blog\/out-now-ultrablack-of-music-book-is-available-from-today-mille-plateaux-force-inc-non-editor-achim-szepanski\/","title":{"rendered":"OUT NOW! \u00abULTRABLACK OF MUSIC\u00bb BOOK IS AVAILABLE FROM TODAY :: Mille Plateaux \/ FORCE INC \/ NON :: EDITOR ACHIM SZEPANSKI"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"https:\/\/rizosfera.org\/it\/wp-json\/wp\/v2\/posts\/209891\" class=\"qtranxs-available-language-link qtranxs-available-language-link-it\" title=\"ITA\">Italian<\/a>.<\/p><p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-209892\" src=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-212x300.png\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-212x300.png 212w, https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-724x1024.png 724w, https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-768x1086.png 768w, https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-88x125.png 88w, https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-276x390.png 276w, https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-283x400.png 283w, https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24-184x260.png 184w, https:\/\/rizosfera.org\/wp-content\/uploads\/2020\/02\/Schermata-2020-02-28-alle-18.54.24.png 874w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p><strong>WARNING !! When non-frequency-politics listens to the clock, it does not hear the uniform tic tic, tic, but it hears tic &#8211; toc &#8211; fuck the clock.<\/strong><\/p>\n<p>Against this backdrop Ultra-Black of Music speculates on the manifold ways in which the objective, inhuman soundworlds, which roar underneath humans\u2019 sensological apparatus, pervade and smoothly colonize our humanoid-alien, affective and cognitive capacities \u2013 and how to construct ways out of the mess of the Master Rhythms of Sonic Thanaticist Capital and its stratagems of annihilation and pulpification.<\/p>\n<p>Speculative rhythm productions drive the mathematical ope-rationality and its decisional self-amputations to the edge and create the missing corporeality that rewires our affective capacities and inhibitions by un-mooring, alienating\/de-realizing our relations to the killing abstractions (reductive Binarism, identitism\/autism), the techgnostical mindset and its mystifications.<\/p>\n<p>Ultrablackened music confronts and pushes us also into the experimentation with this nameless in-between, in which new temporalities can emerge whose winding paths and outcomes can neither be predicted nor guaranteed.<\/p>\n<p>Its cruel love vigorously informed and fueled by the hate in ending this world, as we know and sonically experience it.<\/p>\n<p><strong>The book includes a compilation, which you can download. Tracks from the artists: <\/strong><br \/>\nAutomatisme, Thomas K\u00f6ner, B Ashra, Bienoise, bpmf, SIFIR, echonaut, EPS, Marcel Daemgen, Mijk van Dijk, Khem One, Solar Debris, Grupo Coral a Voz do Alentejo na Quinta do Conde feat Dr Walker, Dr. W, Dr. NoiseM, omsk information &amp; dr walker, stine m, svensyntetics, NicoNote &amp; Obsolete Capitalism, Pavel Zhagun, Schmickler Rohrhuber, Somnambule, Stefan Paulus, The Allegorist, Thomas Brinkmann, Bill B. Wintermute, DJ Durbin, Gerriet K. Sharma, Antonia Manhartsberger, Siegfried K\u00e4rcher, Woulg, Zoy Winterstein<\/p>\n<p><strong>Content<\/strong><br \/>\nForeword \u2013 Dark Precursions.<br \/>\nTechnocultures, Inhuman Rhythmights and the Ultrablack of Non-Music 7<br \/>\nJAN HEINTZ<br \/>\nSpectral Composition: On Spectral Music, Drone Metal, and Electronic Music 11<br \/>\nFR\u00c9D\u00c9RIC NEYRAT<br \/>\nUltra-Blackness in Music. A Non-Mixology 23<br \/>\nACHIM SZEPANSKI<br \/>\nSONIC THANATICISM. A Sensology of The Sonic Capital 45<br \/>\nHOLGER SCHULZE<br \/>\nTwo Fragments About Rhythm and Nano-Fascism 55<br \/>\nZAFER ARACAG\u00d6K<br \/>\nDon\u2019t Forget to Change The Beat From Time To Time \u2013 About Counter-Raving 63<br \/>\nSHINTARO MIYAZAKI<br \/>\nSurrounded by Immersion &#8211; Means of Post-Democratic Warfare 69<br \/>\nGERRIET K. SHARMA<br \/>\nConnegactive-Approaches, to the Production of Vibrational Matters 81<br \/>\nTXGEN MEYER<br \/>\nMelody and Morphogenesis. Refrains of Culture, Crystals of Time 101<br \/>\nTAYLOR ADKINS AND JOSEPH WEISSMAN<br \/>\nin|human rhythms 125<br \/>\nBERND HERZOGENRATH<br \/>\nFrom Rhythm to Glitch: Digital Deformation in Deleuze 139<br \/>\nCORRY SHORES AND MELIKE BA\u015eAK YAL\u00c7IN<br \/>\nThe Scream and the Sound of the Flesh 157<br \/>\nALGORITHMIC COMMITTEE<br \/>\nBergsonian Science-Fiction:<br \/>\nKodwo Eshun, Gilles Deleuze, &amp; Thinking the Reality of Time 163<br \/>\nJOSE ROSALES<br \/>\nDeterritorializations \u2013 Field Recordings, Percepts, Smooth Spaces<br \/>\nand Bodies-Without-Organs 171<br \/>\nSTEFAN PAULUS<br \/>\nPolitiken der Frequenz 181<br \/>\nMARCUS SCHMICKLER AND JULIAN ROHRHUBER<br \/>\nNullen &amp; Einsen 193<br \/>\nTHOMAS BRINKMANN<br \/>\nTen Thousand Million 201<br \/>\nTHOMAS K\u00d6NER<br \/>\nTechno is the Message.<br \/>\nReflections on the Short Circuits of the Electronic Music Indust ry 207<br \/>\nALESSIO KOLIOULIS<br \/>\nDead Detroit Lies Dreaming: Techno (Anti-)Accelerationism 217<br \/>\nBENJAMIN NOYS<br \/>\n(Cybernetic-)\u2018Post-Pop\u2018: affect art(s) &amp; (emotional) self-governing 221<br \/>\nBILL B. WINTERMUTE<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/force-inc.org\/p\/ultrablack-of-music?fbclid=IwAR0CBZm2-yLc0ADb0_u4bXPTgp9lgvdWEPnEeibu7zw3gB4O24WelARLvI8\" target=\"_blank\" rel=\"noopener nofollow\">CLICK HERE FOR MORE INFO<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Italian. WARNING !! When non-frequency-politics listens to the clock, it does not hear the uniform tic tic, tic, but it hears tic &#8211; toc &#8211; fuck the clock. Against this backdrop Ultra-Black of Music speculates on the manifold ways in which the objective, inhuman soundworlds, which roar underneath [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":209892,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[83,36,39],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/209891"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=209891"}],"version-history":[{"count":0,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/209891\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/209892"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=209891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=209891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=209891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}