{"id":209685,"date":"2020-01-30T14:55:20","date_gmt":"2020-01-30T14:55:20","guid":{"rendered":"https:\/\/rizosfera.org\/en\/?p=209685"},"modified":"2020-01-30T17:57:50","modified_gmt":"2020-01-30T17:57:50","slug":"auto-draft","status":"publish","type":"post","link":"https:\/\/rizosfera.org\/en\/blog\/auto-draft\/","title":{"rendered":"OUT NOW ! LA DELEUZIANA #10 :: CHAOS, RHYTHM AND NONPULSED MAN :: Edited by Stefano Oliva and Obsolete Capitalism"},"content":{"rendered":"<p>Issue 10 of the philosophical journal LA DELEUZIANA, edited by Stefano Oliva and Obsolete Capitalism &#8211; \u00a0CHAOS, RHYTHM AND NONPULSED MAN &#8211; has been published online<\/p>\n<p>E&#8217; stato pubblicato online il numero 10 della rivista filosofica scientifica LA DELEUZIANA, a cura di Stefano Oliva e Obsolete Capitalism:\u00a0CHAOS, RHYTHM AND NONPULSED MAN.<\/p>\n<p>Click\u00a0<a href=\"http:\/\/www.ladeleuziana.org\/2019\/12\/10\/10-rhythm-chaos-and-nonpulsed-man\/\" target=\"_blank\" rel=\"noopener nofollow\">HERE<\/a><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" title=\"La Deleuziana 10 \u2013 Chaos, rhythm and nonpulsed man (Teaser)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/luAJFrA73E0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<hr \/>\n<p><strong>INTRODUZIONE \u2013 INTRODUCTION<\/strong><span class=\"text_exposed_show\"><br \/>\n\u00abIntroduction\u00bb<br \/>\n<strong>Stefano Oliva e Obsolete Capitalism 1-4<\/strong><\/span><\/p>\n<div class=\"text_exposed_show\">\n<p><strong>NECESSIT\u00c0\/CONCETTI \u2013 NECESSITIES\/CONCEPTS<\/strong><br \/>\n<strong>Angelucci 5-14<\/strong><br \/>\n\u00abRompere il ritmo. Kant e il ritornello\u00bb<br \/>\n<strong>Aracag\u00f6k 15-31<\/strong><br \/>\n\u00abRhuthmos \/ Arithmos Deconsidered\u00bb<br \/>\n<strong>Bogue 32-45<\/strong><br \/>\n\u00abMusic and Holey Space \/ Musica e spazio bucato\u00bb<br \/>\n<strong>Collett 46-60<\/strong><br \/>\n\u00abNine Notes on the Refrain\u00bb<br \/>\n<strong>Heaney 61-78<\/strong><br \/>\n\u00abTragic Rhythms: Nietzsche and Agamben on Rhythm and Art\u00bb<br \/>\n<strong>Souza Lima 79-95<\/strong><br \/>\n\u00abDifference as Rhythm and Thought as Subtractive Synthesis in Gilles Deleuze\u00bb<\/p>\n<p>SINTOMATOLOGIE \u2013 SYMPTOMATOLOGIES<br \/>\n<strong>Berger 96-116<\/strong><br \/>\n\u00abAnti-History: Deleuze and Guattari\u2019s Attack on Civilization\u00bb<br \/>\n<strong>Farr 117-129<\/strong><br \/>\n\u00abThe Cry of the Body Without Organs: a Schizoanalysis of Ed Bland\u2019s Critical Race Theory of Jazz\u00bb<br \/>\n<strong>Kong 130-141<\/strong><br \/>\n\u00abLentitud y pol\u00edtica. Notas sobre el ritmo de los itinerantes\u00bb<br \/>\n<strong>Obsolete Capitalism 142-162<\/strong><br \/>\n\u00abIn the Beginning There Was Chaos and Rhythm\u00bb<\/p>\n<p>OCCHI ROSSI \u2013 RED EYES<br \/>\n<strong>Baranzoni e Vignola 163-181<\/strong><br \/>\n\u00abRhythms of Locality. A Travel through Caribbean Performances and Literature\u00bb<br \/>\n<strong>Herzogenrath 182-202<\/strong><br \/>\n\u00abRitmi In|umani\u00bb<br \/>\n<strong>Kulesko 203-216<\/strong><br \/>\n\u00abDon\u2019t Fear the Reaper\u00bb<br \/>\n<strong>Molica 217-229<\/strong><br \/>\n\u00abL\u2019avventura di un ritornello\u00bb<br \/>\n<strong>Oliva 230-238<\/strong><br \/>\n\u00abMusic and Language? Deleuze, Guattari and Berio on Visage\u00bb<br \/>\n<strong>Tolfo \u2013 Zolin 239-259<\/strong><br \/>\n\u00abAffetti, soggettivit\u00e0 e ritornelli: l\u2019impercettibile suono del Cosmo nel campo di battaglia acustico\u00bb<\/p>\n<p><strong>NUOVE ARMI \u2013 NEW WEAPONS<\/strong><br \/>\n<strong>Assis 260-284<\/strong><br \/>\n\u00abMusical Works as Assemblages\u00bb<br \/>\n<strong>Campbell E. 285-300<\/strong><br \/>\n\u00abGuattari, consistency and the musical assemblage\u00bb<br \/>\n<strong>Criton 301-320<\/strong><br \/>\n\u00abVariables, process et degr\u00e9 z\u00e9ro\u00bb<br \/>\n<strong>D\u2019Errico 321-335<\/strong><br \/>\n\u00abSchumann\u2019s Dichterliebe: From the problem of performance to the performance of the problem\u00bb<br \/>\n<strong>Pagliei 336-361<\/strong><br \/>\n\u00abTime, Music, Curvatures, Turbulences. A contemporary exploration of musical time\u00bb<\/p>\n<p><strong>REGIONI\/VICINANZE \u2013 REGIONS\/LOCALITY<\/strong><br \/>\n<strong>Campbell I. 362-381<\/strong><br \/>\n\u00abDeleuze and Guattari\u2019s Semiorhythmology: A Sketch for a Rhythmic Theory of Signs\u00bb<br \/>\n<strong>\u00d6stersj\u00f6 \u2013 Stef\u00e1nsd\u00f3ttir 382-396<\/strong><br \/>\n\u00abParticipation and creation: towards an ecological understanding of musical creativity\u00bb<br \/>\n<strong>Tenti 397-411<\/strong><br \/>\n\u00abForma sonata. Deleuze, Ruyer e la musica del vivente\u00bb<\/p>\n<p><strong>ANOMALIE \u2013 ANOMALIES<\/strong><br \/>\n<strong>Wiedemann 412-440<\/strong><br \/>\n\u00abOlas: Un experimento en pensamiento-cine entre la cat\u00e1strofe, el ritmo y la diferencia. Ritornelos y notas para una po\u00e9tica de la inmanencia\u00bb<\/p>\n<p>On March 2, 2020 an EXTENDED printed and audiovisual version of LD10 will be published including, in addition to the 26 articles of ISSUE 10, the splendid notation of NIGHT TALK by Roberto Paci Dal\u00f2, the complete essay by Pagliei \u00abTime, Music, Curvatures, Turbulences. A contemporary exploration of musical time \u00bb in its complete version, and the USB Card by Obsolete Capitalism with over 3 hours of music and images, divided into three SONIC PLATEAUS.<\/p>\n<p>Il 2 marzo 2020 verr\u00e0 pubblicata una versione cartacea e audiovisiva EXTENDED di LD10 comprendente, oltre ai 26 articoli del numero 10, la splendida notazione di NIGHT TALK di Roberto Paci Dal\u00f2, il saggio \u00a0completo di Pagliei \u00abTime, Music, Curvatures, Turbulences. A contemporary exploration of musical time\u00bb nella sua stesura completa, e la USB Card a cura di Obsolete Capitalism con oltre 3 ore di musica e immagini, suddivise in tre SONIC PLATEAUS.<\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Issue 10 of the philosophical journal LA DELEUZIANA, edited by Stefano Oliva and Obsolete Capitalism &#8211; \u00a0CHAOS, RHYTHM AND NONPULSED MAN &#8211; has been published online E&#8217; stato pubblicato online il numero 10 della rivista filosofica scientifica LA DELEUZIANA, a cura di Stefano Oliva e Obsolete Capitalism:\u00a0CHAOS, RHYTHM AND NONPULSED MAN. Click\u00a0HERE INTRODUZIONE \u2013 INTRODUCTION [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":209651,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[52],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/209685"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=209685"}],"version-history":[{"count":0,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/209685\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/209651"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=209685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=209685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=209685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}