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La Deleuziana 10 :: a cura di Stefano Oliva e Obsolete Capitalism :: CHAOS, RHYTHM AND NONPULSED MAN<\/p>\n
INTRODUZIONE \u2013 INTRODUCTION<\/strong> NECESSIT\u00c0\/CONCETTI \u2013 NECESSITIES\/CONCEPTS<\/strong> SINTOMATOLOGIE \u2013 SYMPTOMATOLOGIES OCCHI ROSSI \u2013 RED EYES NUOVE ARMI \u2013 NEW WEAPONS<\/strong> REGIONI\/VICINANZE – REGIONS\/LOCALITY<\/strong> ANOMALIE – ANOMALIES<\/strong> Entro il 31 gennaio verr\u00e0 pubblicata l’edizione online di La Deleuziana numero 10. A fine febbraio verr\u00e0 pubblicata una versione EXTENDED di LD10 comprendente, oltre ai 26 articoli del numero 10, la splendida notazione di NIGHT TALK di Roberto Paci Dal\u00f2, il saggio di Pagliei \u00abTime, Music, Curvatures, Turbulences. A contemporary exploration of musical time\u00bb nella sua stesura completa, e la USB Card a cura di Obsolete Capitalism con oltre 3 ore di musica e immagini, suddivise in tre SONIC PLATEAUS.<\/p>\n<\/div>\n <\/p>","protected":false},"excerpt":{"rendered":" La Deleuziana 10 :: a cura di Stefano Oliva e Obsolete Capitalism :: CHAOS, RHYTHM AND NONPULSED MAN INTRODUZIONE \u2013 INTRODUCTION \u00abIntroduction\u00bb Stefano Oliva e Obsolete Capitalism 1-4 NECESSIT\u00c0\/CONCETTI \u2013 NECESSITIES\/CONCEPTS Angelucci 5-14 \u00abRompere il ritmo. Kant e il ritornello\u00bb Aracag\u00f6k 15-31 \u00abRhuthmos \/ Arithmos Deconsidered\u00bb Bogue 32-45 \u00abMusic and Holey Space \/ Musica […]<\/p>\n","protected":false},"author":17,"featured_media":209651,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[52,39],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/209644"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/comments?post=209644"}],"version-history":[{"count":0,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/posts\/209644\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/209651"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=209644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/categories?post=209644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/tags?post=209644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u00abIntroduction\u00bb
\nStefano Oliva e Obsolete Capitalism 1-4<\/strong><\/span><\/p>\n\n
\nAngelucci 5-14<\/strong>
\n\u00abRompere il ritmo. Kant e il ritornello\u00bb
\nAracag\u00f6k 15-31<\/strong>
\n\u00abRhuthmos \/ Arithmos Deconsidered\u00bb
\nBogue 32-45<\/strong>
\n\u00abMusic and Holey Space \/ Musica e spazio bucato\u00bb
\nCollett 46-60<\/strong>
\n\u00abNine Notes on the Refrain\u00bb
\nHeaney 61-78<\/strong>
\n\u00abTragic Rhythms: Nietzsche and Agamben on Rhythm and Art\u00bb
\nSouza Lima 79-95<\/strong>
\n\u00abDifference as Rhythm and Thought as Subtractive Synthesis in Gilles Deleuze\u00bb<\/p>\n
\nBerger 96-116<\/strong>
\n\u00abAnti-History: Deleuze and Guattari’s Attack on Civilization\u00bb
\nFarr 117-129<\/strong>
\n\u00abThe Cry of the Body Without Organs: a Schizoanalysis of Ed Bland\u2019s Critical Race Theory of Jazz\u00bb
\nKong 130-141<\/strong>
\n\u00abLentitud y pol\u00edtica. Notas sobre el ritmo de los itinerantes\u00bb
\nObsolete Capitalism 142-162<\/strong>
\n\u00abIn the Beginning There Was Chaos and Rhythm\u00bb<\/p>\n
\nBaranzoni e Vignola 163-181<\/strong>
\n\u00abRhythms of Locality. A Travel through Caribbean Performances and Literature\u00bb
\nHerzogenrath 182-202<\/strong>
\n\u00abRitmi In|umani\u00bb
\nKulesko 203-216<\/strong>
\n\u00abDon\u2019t Fear the Reaper\u00bb
\nMolica 217-229<\/strong>
\n\u00abL\u2019avventura di un ritornello\u00bb
\nOliva 230-238<\/strong>
\n\u00abMusic and Language? Deleuze, Guattari and Berio on Visage\u00bb
\nTolfo – Zolin 239-259<\/strong>
\n\u00abAffetti, soggettivit\u00e0 e ritornelli: l\u2019impercettibile suono del Cosmo nel campo di battaglia acustico\u00bb<\/p>\n
\nAssis 260-284<\/strong>
\n\u00abMusical Works as Assemblages\u00bb
\nCampbell E. 285-300<\/strong>
\n\u00abGuattari, consistency and the musical assemblage\u00bb
\nCriton 301-320<\/strong>
\n\u00abVariables, process et degr\u00e9 z\u00e9ro\u00bb
\nD\u2019Errico 321-335<\/strong>
\n\u00abSchumann\u2019s Dichterliebe: From the problem of performance to the performance of the problem\u00bb
\nPagliei 336-361<\/strong>
\n\u00abTime, Music, Curvatures, Turbulences. A contemporary exploration of musical time\u00bb<\/p>\n
\nCampbell I. 362-381<\/strong>
\n\u00abDeleuze and Guattari\u2019s Semiorhythmology: A Sketch for a Rhythmic Theory of Signs\u00bb
\n\u00d6stersj\u00f6 – Stef\u00e1nsd\u00f3ttir 382-396<\/strong>
\n\u00abParticipation and creation: towards an ecological understanding of musical creativity\u00bb
\nTenti 397-411<\/strong>
\n\u00abForma sonata. Deleuze, Ruyer e la musica del vivente\u00bb<\/p>\n
\nWiedemann 412-440<\/strong>
\n\u00abOlas: Un experimento en pensamiento-cine entre la cat\u00e1strofe, el ritmo y la diferencia. Ritornelos y notas para una po\u00e9tica de la inmanencia\u00bb<\/p>\n