{"id":212072,"date":"2022-04-08T17:17:38","date_gmt":"2022-04-08T17:17:38","guid":{"rendered":"https:\/\/rizosfera.org\/authors\/obsolete-capitalism\/"},"modified":"2024-03-31T11:38:21","modified_gmt":"2024-03-31T10:38:21","slug":"obsolete-capitalism","status":"publish","type":"artist","link":"https:\/\/rizosfera.org\/en\/authors\/obsolete-capitalism\/","title":{"rendered":"Obsolete Capitalism"},"featured_media":205617,"template":"","acf":{"author_type":"Rhythmists","description":"<span style=\"font-weight: 400;\">Obsolete Capitalism is a collective of independent researchers founded in 2014. They define themselves as \"gypsy scholars\" and engage in philosophy, art, and politics. They publish independently and intermittently, both through digital platforms with Creative Commons licensing and free access such as Monoskop and La Deleuziana, as well as through rhizomatic publishers like OCFP and Rizosfera, and with qualified publishing houses they consider \"strategically allied\" such as Mute and NON\/Mille Plateaux.<\/span>\r\n\r\n<span style=\"font-weight: 400;\">Among the publications under the OCFP label, we highlight \"<\/span><strong><i>Money, Revolution, and the Philosophy of the Future: Deleuze, Foucault, Guattari, Klossowski and Nietzsche's Accelerationist Politics<\/i><\/strong><span style=\"font-weight: 400;\">\" (OCFP, 2016), \"<\/span><strong><i>Birth of Digital Populism<\/i><\/strong><span style=\"font-weight: 400;\">\" (OCFP, 2014).<\/span>\r\n\r\n<span style=\"font-weight: 400;\">With Rizosfera, Obsolete Capitalism has published, among others, \"<\/span><strong><i>The Strong of the Future: Nietzsche's Accelerationist Fragment in Deleuze and Guattari's Anti-Oedipus<\/i><\/strong><span style=\"font-weight: 400;\">\" (2016), \"<\/span><strong><i>Dromology, Bolidism and Marxist Accelerationism<\/i><\/strong><span style=\"font-weight: 400;\">\" (2017), and \"<\/span><strong><i>Control, Modulation and Algebra of Evil in Burroughs and Deleuze<\/i><\/strong><span style=\"font-weight: 400;\">\" (2018).<\/span>\r\n\r\n<span style=\"font-weight: 400;\">Obsolete Capitalism has created a sonic laboratory with poly-media publisher Rizosfera, NUKFM, with which they have released works such as the \"<\/span><strong><i>Chaos Variations<\/i><\/strong><span style=\"font-weight: 400;\">\" (2016-2020) with authors such as Adi Newton (Clock DVA), Mark Stewart (Pop Group), Howie B, Zafer Aracag\u00f6k, Network Ensemble, Nico Note, the album-book \"<\/span><strong><i>Chaos Sive Natura<\/i><\/strong><span style=\"font-weight: 400;\">\" and the book+USB card \"<\/span><strong><i>Chaos Rhythm and Non-pulsed Man<\/i><\/strong><span style=\"font-weight: 400;\">\" curated with philosopher Stefano Oliva for the scientific philosophical journal La Deleuziana (2020).<\/span>\r\n\r\n<span style=\"font-weight: 400;\">With the record label Mute Records, they have published the book-zine \"<\/span><strong><i>Kynismus, Chaos and Rhythm<\/i><\/strong><span style=\"font-weight: 400;\">\" within Mark Stewart &amp; Maffia's double album \"<\/span><strong><i>Learning to Cope with Cowardice<\/i><\/strong><span style=\"font-weight: 400;\">\" (Mute, 2019). They have collaborated with NON\/Mille Plateaux in the first volume of \u2018<\/span><strong><i>Ultrablack of Music<\/i><\/strong><span style=\"font-weight: 400;\">\u2019 under the alias of <\/span><i><span style=\"font-weight: 400;\">Algorithmic Committee <\/span><\/i><span style=\"font-weight: 400;\">with the essay \u201c<\/span><i><span style=\"font-weight: 400;\"><strong>The Scream and the Sound of the Flesh<\/strong>\u201d\u00a0 <\/span><\/i><span style=\"font-weight: 400;\">(NON\/Mille Plateaux, 2020). Obsolete Capitalism's latest publication involves a collaborative contagion with Lee Scratch Perry, \"<\/span><strong><i>Black Magic Spell<\/i><\/strong><span style=\"font-weight: 400;\">\", a track and text included in a modular book-work created and curated by media theorist Bernd Herzogenrath for \u201c<\/span><i><span style=\"font-weight: 400;\"><strong>\u00a9Ovid's Metamorphoses<\/strong>\u201d<\/span><\/i><span style=\"font-weight: 400;\"> (Meauksma, 2023).<\/span>","featured_image":205617,"image_gallery":[207111,207027,207018,206897,206492,207386],"links":[{"url":"https:\/\/www.facebook.com\/obsoletecapitalism"},{"url":"https:\/\/twitter.com\/obcap"},{"url":"https:\/\/www.instagram.com\/obsoletecapitalism\/"},{"url":"https:\/\/www.youtube.com\/channel\/UCEBbwRQajgJNzYOZjDa8Vqw"}],"in_evidenza":false,"role_description":"","short_bio":""},"_links":{"self":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/artist\/212072"}],"collection":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/types\/artist"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/207386"},{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/206492"},{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/206897"},{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/207018"},{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/207027"},{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/207111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media\/205617"}],"wp:attachment":[{"href":"https:\/\/rizosfera.org\/en\/wp-json\/wp\/v2\/media?parent=212072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}